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This marble architectural fragment features the face of a satyr. The object is an entablature, the upper part of a classical building supported by columns or a colonnade, comprising the achitrave, fri…

This marble architectural fragment features the face of a satyr. The object is an entablature, the upper part of a classical building supported by columns or a colonnade, comprising the achitrave, frieze and cornice. Provenance unknown.

Model of a sculptural composition called Musketeers and made in 2010. It is today displayed at the Zurab Tsereteli Museum of Modern Art in Tbilisi, Georgia.  This object is part of Scan The World. Sc…

Model of a sculptural composition called Musketeers and made in 2010. It is today displayed at the Zurab Tsereteli Museum of Modern Art in Tbilisi, Georgia.  This object is part of Scan The World. Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for the public to access for free. Scan the World is an open source, community effort, if you have interesting items around you and would like to contribute, email stw@myminifactory.com to find out how you can help.

This rectangular shaped trunk of a statue, belongs to Halparunda II, King of Maras. The inscription covers the back and the sides of the statue. On the left side it starts with a standing human in rel…

This rectangular shaped trunk of a statue, belongs to Halparunda II, King of Maras. The inscription covers the back and the sides of the statue. On the left side it starts with a standing human in relief. On the front, a mace, symbol of sovereignty; a tassel, hanging from the sash; and a sword are seen. In the inscription the king introduces himself with his titles and tells his deeds.

Penelope wears a close-fitting hood and a veil over it. The curls nestle close to the face. Above the right ear, only the broken edges of the upper phalanx of the right hand are preserved (see also Sh…

Penelope wears a close-fitting hood and a veil over it. The curls nestle close to the face. Above the right ear, only the broken edges of the upper phalanx of the right hand are preserved (see also Showcase No. 12). The cast shows the head with the supplements of the 19th century on the nose and the left eyebrow. Displayed at the Museum für Abgüsse Klassischer Bildwerke in Munich. It is a museum of classical paintings and sculpture. It shows sculptures of Greek and Roman antiquity from the 7th century BC to the 5th century AD.    This object is part of Scan The World. Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for the public to access for free. Scan the World is an open source, community effort if you have interesting items around you and would like to contribute, email stw@myminifactory.com to find out how you can help.

Grave stele of a woman Inscription: Alas 'Ambaidaughter of Bar'aZabd'athahyear 400 ca. 134 - 135 AD

The archival information for this sculpture is missing. We are currently researching this piece!If you have any knowledge of this bust please get in touch at stw@myminifactory.com

This is a marble head-portrait of Thucydides (460-395), an Athenian military general and historian. Thucydides both fought in and wrote about the Peloponnesian War, a bitter conflict between the Greek…

This is a marble head-portrait of Thucydides (460-395), an Athenian military general and historian. Thucydides both fought in and wrote about the Peloponnesian War, a bitter conflict between the Greek city-states Athens and Sparta from 431-404 BC. His failure to defend the city of Amphipolis (in northern Greece) against the Spartans led to his twenty-year exile from Athens and political life. Thucydides was one of the first historians to attribute the causes of war to human affair rather than to an intervention of the gods, consulting eyewitnesses and written documents in his research. He seems to have died before completing his history as the last years of fighting are not included

Adolf von Hildebrand (1847–1921) was a German sculptor. He worked in a Neo-classical tradition, and set out his artistic theories in his book Das Problem der Form in der Bildenden Kunst (The Problem o…

Adolf von Hildebrand (1847–1921) was a German sculptor. He worked in a Neo-classical tradition, and set out his artistic theories in his book Das Problem der Form in der Bildenden Kunst (The Problem of Form in Painting and Sculpture), published in 1893. This is one of the two musical girl sculptures he made. See the other one here: https://www.myminifactory.com/object/3d-print-girl-playing-the-lyre-64261

This is a marble bust depicting Thusnelda (c. 10 BC – unknown), a Germanic noblewoman who was captured by the Roman general Germanicus during his invasion of Germania. She was the wife of Arminius. Ta…

This is a marble bust depicting Thusnelda (c. 10 BC – unknown), a Germanic noblewoman who was captured by the Roman general Germanicus during his invasion of Germania. She was the wife of Arminius. Tacitus and Strabo cite her capture as evidence of both the firmness and restraint of Roman arms.

The hieroglyphic inscription on this limestone relief reads: Beloved of Hathor, Lord of Byblos. It shows people giving offerings to the gods.