Our Work

This sculpture shows Saint Catherine being beheaded.

This is a carved pear wood bust depicting an unknown beardless man wearing a fur hat and holding a book in his hands. The bust comes from the Fugger Chapel in Augsburg. Jakob Fugger the Rich had it bu…

This is a carved pear wood bust depicting an unknown beardless man wearing a fur hat and holding a book in his hands. The bust comes from the Fugger Chapel in Augsburg. Jakob Fugger the Rich had it built in the 16th century as a burial place for himself and his family. It is believed that the Fuggers could be represented in the figures themselves

This is the sanguine, one of the four sculpted allegories for the four humours (temperaments). They originally stood in the park of Niederschönhausen, most recently in front of the Kavalierhaus in Pan…

This is the sanguine, one of the four sculpted allegories for the four humours (temperaments). They originally stood in the park of Niederschönhausen, most recently in front of the Kavalierhaus in Pankow, Berlin.

This is a small copy of the Aztec sun stone. The Aztec sun stone (Piedra del Sol in Spanish) is a late post-classic Mexica sculpture housed in the National Anthropology Museum in Mexico City, and is …

This is a small copy of the Aztec sun stone. The Aztec sun stone (Piedra del Sol in Spanish) is a late post-classic Mexica sculpture housed in the National Anthropology Museum in Mexico City, and is perhaps the most famous work of Aztec sculpture. The stone is 358 cm in diameter and 98 cm thick, and it weighs about 21.8 tonnes. Shortly after the Spanish conquest, the monolithic sculpture was buried in the Zócalo, the main square of Mexico City. It was rediscovered on 17 December 1790 during repairs on the Mexico City Cathedral. Following its rediscovery, the sun stone was mounted on an exterior wall of the Cathedral, where it remained until 1885. Early scholars initially thought that the stone was carved in the 1470s, though modern research suggests that it was carved some time between 1502 and 1521.   (Source: Wikipedia)

This marble architectural fragment features the face of a satyr. The object is an entablature, the upper part of a classical building supported by columns or a colonnade, comprising the achitrave, fri…

This marble architectural fragment features the face of a satyr. The object is an entablature, the upper part of a classical building supported by columns or a colonnade, comprising the achitrave, frieze and cornice. Provenance unknown.

Model of a sculptural composition called Musketeers and made in 2010. It is today displayed at the Zurab Tsereteli Museum of Modern Art in Tbilisi, Georgia.  This object is part of Scan The World. Sc…

Model of a sculptural composition called Musketeers and made in 2010. It is today displayed at the Zurab Tsereteli Museum of Modern Art in Tbilisi, Georgia.  This object is part of Scan The World. Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for the public to access for free. Scan the World is an open source, community effort, if you have interesting items around you and would like to contribute, email stw@myminifactory.com to find out how you can help.

This rectangular shaped trunk of a statue, belongs to Halparunda II, King of Maras. The inscription covers the back and the sides of the statue. On the left side it starts with a standing human in rel…

This rectangular shaped trunk of a statue, belongs to Halparunda II, King of Maras. The inscription covers the back and the sides of the statue. On the left side it starts with a standing human in relief. On the front, a mace, symbol of sovereignty; a tassel, hanging from the sash; and a sword are seen. In the inscription the king introduces himself with his titles and tells his deeds.

Penelope wears a close-fitting hood and a veil over it. The curls nestle close to the face. Above the right ear, only the broken edges of the upper phalanx of the right hand are preserved (see also Sh…

Penelope wears a close-fitting hood and a veil over it. The curls nestle close to the face. Above the right ear, only the broken edges of the upper phalanx of the right hand are preserved (see also Showcase No. 12). The cast shows the head with the supplements of the 19th century on the nose and the left eyebrow. Displayed at the Museum für Abgüsse Klassischer Bildwerke in Munich. It is a museum of classical paintings and sculpture. It shows sculptures of Greek and Roman antiquity from the 7th century BC to the 5th century AD.    This object is part of Scan The World. Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for the public to access for free. Scan the World is an open source, community effort if you have interesting items around you and would like to contribute, email stw@myminifactory.com to find out how you can help.

Grave stele of a woman Inscription: Alas 'Ambaidaughter of Bar'aZabd'athahyear 400 ca. 134 - 135 AD

The archival information for this sculpture is missing. We are currently researching this piece!If you have any knowledge of this bust please get in touch at stw@myminifactory.com